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Aufstieg und Fall der Stadt Mahagonny |
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Opera in three acts.
Text by Bertolt Brecht and Kurt Weill.
Performance Information Synopsis Recordings

Scene from original production, Leipzig, 1930.
Performance Information
English title: Rise and Fall of the City of Mahagonny Cast: Leokadja Begbick (mezzo-soprano), Fatty (tenor), Trinity Moses (baritone), Jenny Hill (soprano), Jimmy Mahoney (tenor), Jack O'Brien (tenor), Bill (baritone), Joe (bass), Tobby Higgins (tenor), Chorus of six girls and the men of Mahagonny. Orchestra: 2 (2 picc).1.1.sop. sax, alto sax, tenor sax.2 (cbn); 2.3.2.1; piano, harmonium ad lib., banjo, bass guitar, bandoneon, timp, perc; strings Stage orchestra - 2 Fl (2 picc), 2 cl, 3 sax (sop., alto, ten.) 2 bn; 2.2.2.1; piano, zither or xylophone, banjo, bandoneon, perc.; 3 vn. Duration: full evening Published Editions: libretto, Universal Edition, UE 9852 revised piano-vocal score (David Drew, 1969), Universal Edition, UE 9851 Performance Rights and Rentals: USA, UK, BREV: EAMC All other territories: UE Authorized Translations: English -- David Drew & Michael Geliot; Arnold Weinstein & Lys Symonette; Michael Feingold French -- Jean-Claude Hémery & Geneviève Serrau Italian -- Fedele d'Amico First production: March 9, 1930, Leipzig, Städtisches Theater, Walter Brügmann, dir., Gustav Brecher, cond.
Guide to orchestration, territory abbreviations, and publishers' symbols.
Synopsis
Act I
Somewhere in America. Three criminals on the lam--Fatty, Trinity Moses, and the Widow Begbick--are stranded in the desert after their truck breaks down. Begbick decrees that they will found a city called Mahagonny, a utopia of pleasure and idleness, but really a snare and a money pit ("Aber dieses ganze Mahagonny"). The city grows quickly, soon populated by prostitutes, led by Jenny ("Alabama Song"), and dissatisfied bourgeoisie ("Wir wohnen in den Städten"). Then a group of lumberjacks arrives from Alaska ("Auf nach Mahagonny"), lured by the city's reputation. Begbick welcomes them as they introduce themselves ("Wenn man an einen fremden Strand kommt"): Jim (the leader), Bill, Jack, and Joe. She brings on the girls and the lumberjacks bargain for them ("Ach, bedenken Sie"). Jenny winds up with Jim ("Ich habe gelernt"). Begbick and her partners lament their inadequate income and decide to pack up and leave ("Ach dieses Mahagonny"), but they change their minds when more suckers arrive. Jim and the lumberjacks are also dissatisfied because there is not enough action ("Wunderbar ist das Heraufkommen des Abends"). A pianist plays "The Maiden’s Prayer" in a hotel lobby, prompting Jim to continue his lament ("Tief in Alaskas schneeweissen Wäldern"). Then a hurricane approaches the city and everyone cowers in fear ("O furchtbares Ereignis") except Jim, who takes advantage of the impending catastrophe to declare that henceforth nothing will be prohibited in Mahagonny ("Wenn es etwas gibt").
Act II
Mahagonny is inexplicably unharmed by the hurricane ("O wunderbare Lösung"), and the inhabitants resume their revels ("Erstens, vergesst nicht kommt das Fressen"). A series of tableaux follows: eating, sex, boxing, and drinking. Jack eats himself to death ("Jetzt hab' ich gegessen zwei Kälber"), the men of Mahagonny line up for the prostitutes ("Mandalay Song"), and Joe dies in a boxing match with Trinity Moses ("Wir, meine Herren"). Jim invites everyone for a round of drinks ("Freunde, kommt, ich lade euch ein"), but he tells Jenny that he is out of money when the bill comes. He proposes that they escape to Alaska together, and the crowd enacts a voyage inside the bar. Then Jim admits to Begbick that he cannot pay, and he is bound and thrown into prison. When Begbick asks Jenny if she will pay for Jim, she disavows all responsibility ("Denn wie man sich bettet, so liegt man"). The chorus intones an ominous warning for Jim ("Lasst euch nicht verführen").
Act III
Jim languishes in prison, awaiting his trial the next morning ("Wenn der Himmel hell wird"). When court convenes ("Haben alle Zuschauer Billette?"), a murderer is freed before Jim's trial. Jim appeals to his last remaining friend, Bill, for money, but Bill refuses. Fatty, Moses, and Begbick convict Jim summarily on numerous charges, but he is condemned to death because he failed to pay his bar tab ("Jetzt kommt der Hauptpunkt der Anklage"). Jenny and others complain that they have nowhere else to go ("Benares Song"). Jim is executed, and the remaining residents lapse further into discontent ("An einem grauen Vormittag"). First Begbick, then all the others, display protest placards with contradictory slogans ("Können einem toten Mann nicht helfen"), and it is clear that the city of Mahagonny will not survive.
Note: A duet for Jenny and Jim, the "Kraniche-Duett" (Crane Duet), was composed for the original production of the opera and may be placed in either the second or third act or omitted.
Recordings
CBS Masterworks M2K 37874 (reissued as Sony Classical SM2K 91184; Membran International 223250-311; Line 5.00959; Sony Opera House series 88697856212) |
Lotte Lenya, Heinz Sauerbaum, Gisela Litz, North German Radio Chorus, Wilhelm Brückner-Rüggeberg, cond. [arrangement] |
Capriccio CD 10 160-61 |
Anja Silja, Anny Schlemm, Wolfgang Neumann, Kölner Rundfunkorchester, Jan Latham-König, cond. |
Video (VHS) Kultur 2078 (DVD) Kultur D2078 |
Catherine Malfitano, Gwyneth Jones, Jerry Hadley, Radio Symphonieorchester Wien, Dennis Russell Davies, cond., Peter Zadek, stage dir., Brian Large, video dir. (Salzburg Festival) |
Video (DVD) EuroArts 2056258 |
Audra McDonald, Anthony Dean Griffey, Patti LuPone, Los Angeles Opera, James Conlon, cond., John Doyle, stage dir. (English translation by Michael Feingold) |
Video (DVD) Metropolitan Opera 811357013359 |
Teresa Stratas, Richard Cassilly, Astrid Varnay, Metropolitan Opera, James Levine, cond., John Dexter, stage dir. (English translation by David Drew and Michael Geliot) Available only as part of boxed set: James Levine: Celebrating 40 Years at the Met. |
Video (DVD) Bel Air Classiques BAC 067 |
Measha Brueggergosman, Michael König, Jane Henschel, Teatro Real Madrid, La Fura dels Baus, Pablo Heras-Casado, cond., Alex Ollé and Carlus Padrissa, stage dirs., (English translation by Michael Feingold) |
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