Kurt Weill Newsletter
Contents, vol. 20
Volume 20, no. 2 (Fall 2002)
Volume 20, no. 1 (Spring 2002)
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Volume 20, |
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Note from the Editor |
3 |
| Current Research | 3 |
| ARTICLES | |
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Putting Kurt Weill in His Historical Place: The New Grove Articles TAMARA LEVITZ |
4 |
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Street Scene Pioneers Interviews with JULIUS RUDEL, HORST KOEGLER |
10 |
| BOOK REVIEWS | |
| Kurt Weill on Stage by Foster Hirsch MICHAEL FEINGOLD |
13 |
| Somewhere for Me by Meryle Secrest The Richard Rodgers Reader, ed. Geoffrey Block GISELA SCHUBERT |
14 |
| Jazz and the Germans, ed. Michael J. Budds J. BRADFORD ROBINSON |
15 |
| PERFORMANCE REVIEWS | |
| Street Scene in Aspen THOMAS L. RIIS |
16 |
| Street Scene in Aachen HORST KOEGLER |
17 |
| The Threepenny Opera in Stratford MAARTEN VAN DIJK |
18 |
| MUSIC REVIEW | |
| The Firebrand of Florence, ed. Joel Galand RICHARD CRAWFORD |
19 |
| RECORDING REVIEWS | |
| This Is New (Dee Dee Bridgewater) on Verve LARRY L. LASH |
21 |
| Zaubernacht (Ensemble Contrasts; cond. C. Antunes) on Capriccio EDWARD HARSH |
22 |
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String Quartets (Leipziger Streichquartett) on MDG JOACHIM BRÜGGE |
23 |
| TOPICAL WEILL | 1a-8a |
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Volume 20, Number 1 Spring 2002 |
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In Memoriam: Ronald Freed KIM H. KOWALKE |
3 |
| ARTICLES | |
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From Geopathology to Redemption: A Flag Is Born on the Broadway Stage EDNA NAHSHON |
5 |
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Approaching the Music for A Flag Is Born CHRISTIAN KUHNT |
8 |
| News from the Archive | 10 |
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Retracing The Eternal Road: A Pogrom Play by Aron Ackermann Unearthed ELMAR JUCHEM |
10 |
| Kurt Weill: Making Music Theater | 12 |
| BOOK REVIEWS | |
| Die Seeräuberin: Ein Lotte-Lenya-Roman by Pamela Katz MELISSA MÜLLER |
13 |
| Brecht und seine Komponisten, ed. Albrecht Riethmüller FRED RITZEL |
14 |
| Kurt Weill und das Judentum by Christian Kuhnt TAMARA LEVITZ |
15 |
| FILM REVIEW | |
| Kurt Weill: Ein Film von Sven Düfer MICHAEL MORLEY |
16 |
| PERFORMANCE REVIEWS | |
| Die sieben Todsünden in Paris PASCAL HUYNH |
18 |
| One Touch of Venus in Berlin RÜDIGER BERING |
19 |
| Die Bürgschaft and Johnny Johnson in Dessau GUIDO HELDT |
20 |
| Lenya in Dessau PAUL MOOR |
22 |
| RECORDING REVIEW | |
| Der Protagonist (Deutsches Symphonieorchester; cond. J. Mauceri) on Capriccio BRYAN GILLIAM |
23 |
| TOPICAL WEILL | 1a-8a |