| News |
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| Letters |
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| ARTICLES |
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A New Beginning in Dessau JÜRGEN SCHEBERA |
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Issues in the German Reception of Weill STEPHEN HINTON |
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| FEATURE: Protagonist and Zar at Santa Fe |
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Director's Notes JONATHAN EATON |
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Costume Designs ROBERT PERDZIOLA |
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Der Protagonist: To Be or Not to Be with Der Zar GUNTHER DIEHL |
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| BOOK REVIEWS |
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The New Grove Dictionary of Opera, ed. Stanley Sadie ANDREW PORTER |
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Different Drummers: Jazz in the Culture of Nazi Germany by Michael Kater SUSAN C. COOK |
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Gustav Brecher und die Leipziger Oper 1923-1933 by Jürgen Schebera CHRISTOPHER HAILEY |
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| PERFORMANCE REVIEWS |
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Britten/Weill Festival in Aldeburgh PATRICK O'CONNOR |
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The Seven Deadly Sins at the Los Angeles Philharmonic PAUL YOUNG |
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Aufstieg und Fall der Stadt Mahagonny in Karlsruhe ANDREAS HAUFF |
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Knickerbocker Holiday in Evanston, IL BRUCE D. MCCLUNG |
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The Seven Deadly Sins at the Utah Symphony BRYCE RYTTING |
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"Nannas Lied" by the San Francisco Ballet PAUL MOOR |
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| RECORDING REVIEWS |
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Symphonies nos. 1 & 2 on Philips JAMES M. KELLER |
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"Ofrahs Lieder" and other Songs on Koch DAVID HAMILTON |
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Sieben Stücke aus der Dreigroschenoper, arr. Stefan Frenkel, on Gallo PASCAL HUYNH |
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