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<oembed><version>1.0</version><provider_name>The Kurt Weill Foundation for Music</provider_name><provider_url>https://www.kwf.org</provider_url><author_name>starterstall</author_name><author_url>https://www.kwf.org/author/starterstall/</author_url><title>Newsletter Highlights - The Kurt Weill Foundation for Music</title><type>rich</type><width>600</width><height>338</height><html>&lt;blockquote class="wp-embedded-content"&gt;&lt;a href="https://www.kwf.org/newsletter/highlights/"&gt;Newsletter Highlights&lt;/a&gt;&lt;/blockquote&gt;
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&lt;/script&gt;&lt;iframe sandbox="allow-scripts" security="restricted" src="https://www.kwf.org/newsletter/highlights/embed/" width="600" height="338" title="&#x201C;Newsletter Highlights&#x201D; &#x2014; The Kurt Weill Foundation for Music" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"&gt;&lt;/iframe&gt;</html><description>Featured content from past issues: 29 October 2020: Many artists are happy to leave their home town behind, and Weill was no exception. When his difficult and adventurous Violin Concerto was performed in Dessau on 29 October 1925, the critics were derisive, and Weill scorned their provincial taste in a letter to Lenya. Matters have [&hellip;]</description><thumbnail_url>https://www.kwf.org/wp-content/uploads/KWF-OpenGraph@2x.jpg</thumbnail_url><thumbnail_width>2400</thumbnail_width><thumbnail_height>1260</thumbnail_height></oembed>
