Volume 22, Number 2
| Note from the Editor | 3 |
| Letters | 3 |
| BREGENZ FESTIVAL | |
| Der Protagonist / Royal Palace HORST KOEGLER |
4 |
| Der Kuhhandel LARRY L. LASH |
6 |
| Zaubernacht HORST KOEGLER |
8 |
| FEATURE | |
| Weill, the Operettenkrise, and the Offenbach Renaissance JOEL GALAND |
9 |
| BOOK REVIEWS | |
| Dialog der Künste: Die Zusammenarbeit von Kurt Weill und Yvan Goll, by Ricarda Wackers ESBJÖRN NYSTRÖM |
16 |
| PERFORMANCE REVIEWS | |
| Here Lies Jenny in New York WILLIAM V. MADISON |
18 |
| Der Zar lässt sich photographieren and Die sieben Todsünden in Flensburg MATHIAS LEHMANN |
19 |
| Aufstieg und Fall der Stadt Mahagonny in Nuremberg RAINER FRANKE |
20 |
| RECORDING REVIEWS | |
| Royal Palace and Der neue Orpheus on Capriccio DAVID HAMILTON |
21 |
| VIDEO REVIEWS | |
| The Seven Deadly Sins on Kultur Street Scene on Image Entertainment Aufstieg und Fall der Stadt Mahagonny on Kultur WILLIAM V. MADISON |
22 |
| TOPICAL WEILL: NEWS AND EVENTS | 1a-8a |
Volume 22, Number 1
| Letters | 3 |
| Note from the Editor | 3 |
| FEATURE: ROYAL PALACE | |
| Royal Palace: Moving toward Epic (Music)Theater RICARDA WACKERS |
4 |
| Escape into Opera (1927) YVAN GOLL |
8 |
| News from the Archive | 9 |
| A PERFORMER’S REPORT | |
| Impressions of Unsung Weill MICHAEL FEINSTEIN |
10 |
| PERFORMANCE REVIEWS | |
| Street Scene in Dessau ANDREAS HAUFF |
12 |
| Die Dreigroschenoper in Hamburg CHRISTIAN KUHNT |
13 |
| BOOK REVIEWS | |
| The Cambridge Companion to the Musical, ed. William A. Everett and Paul R. Laird LARRY STEMPEL |
14 |
| Music and Nazism: Art under Tyranny, 1933-1945, ed. Michael H. Kater and Albrecht Riethmüller LEO TREITLER |
16 |
| TOPICAL WEILL: NEWS AND EVENTS | 1a-8a |