Volume 23, Number 2
Note from the Editor | 3 |
Original Sins: Weill Autograph Surfaces SHARON-MICHI KUSUNOKI | 4 |
Fifty Years of Working on Kurt Weill An Interview with DAVID DREW | 6 |
FEATURE REVIEW | |
Omnibus Review: Five Recent Books on Musical Theater CHARLES HAMM | 9 |
BOOK REVIEWS | |
Kurt Weill-Symposion: Das musikdramatische Werk, ed. Angerer, Ottner, and Rathgeber RICARDA WACKERS | 16 |
Musikverlage im “Dritten Reich” und im Exil by Sophie Fetthauer ERIK LEVI | 17 |
RECORDING REVIEW | |
Die sieben Todsünden and Quodlibet on Hänssler Classic LARRY L. LASH | 18 |
PERFORMANCE REVIEWS | |
Die sieben Todsünden in Grenoble and Bobigny WILLIAM V. MADISON | 19 |
Street Scenes in Singapore KEN SMITH | 20 |
Die Dreigroschenoper in Long Beach DAVID FARNETH | 21 |
Aufstieg und Fall der Stadt Mahagonny in Dresden LARRY L. LASH | 22 |
Aufstieg und Fall der Stadt Mahagonny in Basel MICHAEL BAUMGARTNER | 23 |
TOPICAL WEILL: NEWS AND EVENTS | 1a-8a |
Volume 23, Number 1
SOUND ON RECORD AND FILM | |
Note from the Editor | 3 |
FEATURES | |
Music from The Eternal Road | 4 |
Recording Kurt Weill . . . Herbert Borchardt Remembers | 8 |
MUSIC REVIEW | |
Chamber Music Kurt Weill Edition, Series II, Volume 1 ed. Wolfgang Rathert and Jürgen Selk ANTONY BEAUMONT | 13 |
BOOK REVIEW | |
“Ein Fremder ward ich im fremden Land . . .”: Max Reinhardts Inszenierung von Franz Werfels und Kurt Weills “The Eternal Road” (Der Weg der Verheißung) 1937 in New York, by Karin Kowalke The Literary, Cultural, and Historical Significance of the 1937 Biblical Stage Play “The Eternal Road,” by Jonathan C. Friedman CHRISTIAN KUHNT | 15 |
PERFORMANCE REVIEWS | |
Aufstieg und Fall der Stadt Mahagonny in Bari STEPHEN HASTINGS | 17 |
One Touch of Venus in Leeds RODNEY MILNES | 18 |
Happy End in Dessau The Firebrand of Florence in Dessau ANDREAS HAUFF | 20 |
Die sieben Todsünden in Potsdam TOBIAS FAßHAUER | 22 |
Aufstieg und Fall der Stadt Mahagonny in Darmstadt ANDREAS HAUFF | 23 |
TOPICAL WEILL: NEWS AND EVENTS | 1a-8a |