Volume 40, Number 1

Happy End: The Next Chapter | 2 |
Editor’s Note | 3 |
Streams and Podcasts | 3 |
Lady Emergent | 3 |
Pure Weill | 3 |
2022 Grant Recipients | 3 |
FEATURES | |
Sondheim and Weill . . . and (Foolish) Me KIM H. KOWALKE |
4 |
A Notable Anniversary: The State of Street Scene | 7 |
Street Scene: A Chronology of Major Performances | 9 |
Weill on Street Scene | 11 |
PERFORMANCE REVIEWS | |
Lady in the Dark Volksoper Wien DAVID SAVRAN |
12 |
Die sieben Todsünden and other works London Symphony Orchestra LIONEL FRIEND |
13 |
Happy End and Aufstieg und Fall der Stadt Mahagonny Victorian Opera and Melbourne Opera JOHN GABRIEL |
14 |
Die sieben Todsünden and Mahagonny Songspiel Red Line Productions GLEN MCGILLIVRAY |
16 |
BOOK REVIEWS | |
Kurt Weill’s America by Naomi Graber TODD DECKER |
17 |
365 Tage mit Kurt Weill: ein Almanach compiled by Andreas Eichhorn STEPHEN HINTON |
18 |
NEWS | |
Wide World of Weill | 19 |
Weill and Lenya News | 20 |
Lotte Lenya Competition Finals 2022: Doing It All in NYC WILLIAM V. MADISON |
22 |
Lotte Lenya Competition Past Winners | 23 |