Volume 40, Number 1
| Happy End: The Next Chapter | 2 |
| Editor’s Note | 3 |
| Streams and Podcasts | 3 |
| Lady Emergent | 3 |
| Pure Weill | 3 |
| 2022 Grant Recipients | 3 |
| FEATURES | |
| Sondheim and Weill . . . and (Foolish) Me KIM H. KOWALKE |
4 |
| A Notable Anniversary: The State of Street Scene | 7 |
| Street Scene: A Chronology of Major Performances | 9 |
| Weill on Street Scene | 11 |
| PERFORMANCE REVIEWS | |
| Lady in the Dark Volksoper Wien DAVID SAVRAN |
12 |
| Die sieben Todsünden and other works London Symphony Orchestra LIONEL FRIEND |
13 |
| Happy End and Aufstieg und Fall der Stadt Mahagonny Victorian Opera and Melbourne Opera JOHN GABRIEL |
14 |
| Die sieben Todsünden and Mahagonny Songspiel Red Line Productions GLEN MCGILLIVRAY |
16 |
| BOOK REVIEWS | |
| Kurt Weill’s America by Naomi Graber TODD DECKER |
17 |
| 365 Tage mit Kurt Weill: ein Almanach compiled by Andreas Eichhorn STEPHEN HINTON |
18 |
| NEWS | |
| Wide World of Weill | 19 |
| Weill and Lenya News | 20 |
| Lotte Lenya Competition Finals 2022: Doing It All in NYC WILLIAM V. MADISON |
22 |
| Lotte Lenya Competition Past Winners | 23 |